My annotated slide-show, "A Brief and Colorful History of the Village Vanguard", is now up on nymag.com. It chronicles 13 events from the club's 75 years, from its beginnings as a hangout for lefty booze-hound poets to its present as jazz's most prestigious venue (with some Charles Mingus history/folklore and an account of Bill Evans's famous Sunday thrown in for good measure).
I am very glad for these photographs and stories, but I am confused and partly hurt by the lack of any reference to John Coltrane. Any particular reason?
Posted by: Paul | 25 February 2010 at 11:15 AM
Thanks for your comment. I admire and respect no jazz artist more than John Coltrane: my favorite album of all-time pretty much oscillates between A Love Supreme, Coltrane's Sound, and Crescent. So I definitely didn't mean to diss 'Trane--the omission was the result of writing for a general magazine readership and not wanting to be repetitive. I thought Sonny Rollins' A Night at the Village Vanguard was crucial to include, since it allowed me to discuss the club's role as a recording venue, and Evans is more closely associated with the club than any other musician. The Coltrane entry would have come right after Evans and Rollins and I thought readers needed to read something other than "this guy played a great, legendary, transcendent set." In a more complete history I would certainly have discussed Coltrane, but, to be fair, Coltrane isn't discussed at length in Max Gordon's book and, while he cut a great album at the Vanguard, didn't have as close a link to the club as many other musicians of that time. (A reader could be equally miffed by my omission of Monk or Rahsaan Roland Kirk or, gulp, Wynton Marsalis.)
Posted by: Eric Benson | 25 February 2010 at 11:35 AM